Jean Marie Carey (PhD)

Art Historian / Professor of Modern Art

Art History / Animal Studies

Universität Kassel

Forschung und Projekte

Derzeitige Position(en)

Also: Researcher

Frühere Position(en)

Lecturer, Librarian, Archivist, Author


Monographien (und Dissertation)

How Franz Marc Returns (2018)


Journal Articles and Book Chapters

Raubkunst at the Ringling. A. Webber (ed.): The Commission for Looted Art in Europe. (London: The Central Registry of Information on Looted Cultural Property 1933-1945, February 2019).

Raubkunst at the Ringling: Franz Marc’s Schöpfungsgeschichte. M. Belevan (ed.): Lapsus Lima. (Lima: Diacritica, January 2019).

Trigger for a Train of Thought: Der Blaue Reiter Almanach. M. Gherghescu (ed.) Journal de l’Université d’été de la Bibliothèque Kandinsky, Vol. 5. (Paris: Musée National d’Art Moderne, January 2019)

Something in the Way – Season of Love (Patricia Cronin, Yayoi Kusama, and Robert Indiana) at Tampa Museum of Art. J. Martinez (ed.) ArteFuse, (New York City: ArteFuse Contemporary Art, 2018)

The Tempest and the Savages: Franz Marc, Hugo Ball, and a Decisive Moment in Expressionist-Dada Theater with a Special Appearance by August Macke – D. Enck (ed.): The Empty Mirror Special Arts Issue. (Seattle: Empty Mirror Books, February 2018).

Affen in Eden – C. Virchow and M. Kaiser (eds.): Avenue – Das Magazin für Wissenskultur, Volume 4. Basel: Verein Freunde der Avenue. September 2017. (ISSN: 2297-9689)

To Never Know You: Archival Photographs of Franz Marc and Russi Marc – G. Aloi (ed.): Antennae: The Journal of Nature in Visual Culture, Volume 41. London: Antennae Project. September 2017. (ISSN: 1756-9575)

Between Something and Nothing: Franz Marc’s Authorial Ether – D. Enck (ed.): The Empty Mirror. (Seattle: Empty Mirror Books, 2017).

Alfred Flechtheim: Kunsthandler der Moderne – I. Racz (ed.): Journal of Visual Art Practice, Volume 17, Issue 3. London: Taylor & Francis. August 2017. (ISSN: 1758-9185 | DOI: 10.1080/14702029.2017.1366691)

The Wreck of Hope: Visual Activism in the Time of Mass Extinction – L. LeBlanc and Pearl, Z. (eds): KAPSULA. Toronto: Kapsula Press, 39-46. September 2016.

Eyes Be Closed: Franz Marc’s “Liegender Hund im Schnee” – A. Ilic (ed.): TextPraxis: Digitales Journal für Philologie, Band 12. Universität Münster Verlag, Münster, May 2016.

„Der Sturm“ und die Wilden:  Franz Marcs Entscheidungskampf mit der Theatralität – K. Eichhorn (ed.): Expressionismus, Band 2. Neofelis Verlag, Kiel, November 2015. (ISBN: 978-3-95808-005-8)

Ein Manifest der Freundschaft – Trang Vu Thuy (ed.), “Blog des Lenbachhauses,” Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany, February 2015.

Channeling Franz Marc in the Prelapsarian Longing of Joan Jonas and Lee Lennox – L. LeBlanc and Pearl, Z. (eds): KAPSULA, Kapsula Press, Toronto, February 2015, 17-26.

Manuscripts in Submission and Preparation

Lost, or a Lost Cause? A Case Study of Franz Marc’s Schöpfungsgeschichte II and Geburt der Pferde at the Ringling Museum and Parallel Commentary on Turm der blauen Pferde – M. Quinkenstein (ed.): Looted Art as a Realm of Memory. (Frankfurt: Peter Lang, 2019).

Machine Dreams: Art History’s Digital History Through Web 3.0 With a Case Study of Franz Marc’s Animals. S. Ulrich (ed.): The Culture of Digital Humanities. (Berlin: De Gruyter, 2019).

Franz Marc’s Recueillement as Resistance and Recovery – R.A. McDonald (ed.): Re/Visioning Depression: Creative Approaches to “Feeling Bad”. (Toronto: York University Press, 2019).

Einfühlung and the New Natural of August Endell, Wilhelm Bölsche and Franz Marc. M. Coughlin and E. Gephart (eds.): Ecocritical Approaches to 19th Century Visual Culture. (Lebanon, N.H.: University Press of New England, 2019).

Frida Hansen’s Metamorphoses in Jugendstil. K. Reaves (ed.) She is no gentle lamb in the cave of the werewolf: Women artists in Scandinavia, 1900-1960. (London: Routledge, 2020)

Book and Exhibition Reviews

Hello World: Revising a Collection at the Hamburger Bahnhof Museum für Gegenwart – C. Keppel-Palmer (ed.): Museum Books (London: Tate Publishing, March 2019). (DOI:

Life After Death at the Stavanger Kunstmuseum – J. Martinez (ed.): ArteFuse (New York City: ArteFuse Contemporary Art, December 2018).

Franz Marc and August Macke: 1910-1914 in Museum Books (London: Tate Publishing, 30 December 2018. (DOI: 10.17613/e3qd-t551)

Luxury and Modernism: Architecture and the Object in Germany 1900-1933 in The Empty Mirror, 4 October 2018. (DOI: 10.17613/M8M1B403)

Stereo Lab: An Experimental Pairing of Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art in Arte Fuse 25 June 2018. (DOI: 10.17613/M6M61BP46)

Birds: The Art of Ornithology in Museum Books 8 July 2018. (DOI: 10.17613/M6901ZF6M)

Stereo Lab: An Experimental Pairing of Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art in Arte Fuse 25 June 2018. (DOI: 10.17613/M6M61BP46)

Modern Masters “Degenerate” Art at the Kunstmuseum Basel and Gurlitt Status Report: – Confiscated and Sold, Kunstmuseum Bern - Nazi Art Theft and Its Consequences, Art and Exhibition Hall of the Federal Republic of Germany in Museum Books 23 April 2018. (DOI:10.17613/M60004)

Robert Lowell, Setting the River on Fire: A Study of Genius, Mania, and Character in The Empty Mirror 13 April 2018. (DOI: 10.17613/M64K4R)

Mernet Larsen: Getting Measured, 1957-2017 in The Empty Mirror 9 February 2018. (DOI: 10.17613/M65C3M)

Modigliani in Museum Books in Museum Books 7 January 2018. (DOI: 10.17613/M6W55T)

Star Wars and the Power of Costume in Museum Books 21 December 2017. (DOI: 10.17613/M6S54H)

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask in Museum Books 12 October 2017. (DOI: 10.17613/M61J67)

Visionaries: Creating a Modern Guggenheim in Museum Books 16 May 2017: (DOI: 10.17613/M6P39S)

Max Beckmann in New York in Museum Books 12 March 2017: (DOI: 10.17613/M6N637)

Neuerscheinungen zu Franz Marc in Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 19 (November 2016) Nr. 6: (ISSN 1616-6168)

Bad New Days: Art, Criticism, Emergency by Hal Foster in Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 16 (June 2016) Nr. 6: (ISSN 1616-6168)

The Expressionist Turn in Art History: A Critical Anthology by Kimberly A. Smith Aldershot: Ashgate 2014 in KUNSTFORM 16 (2015), Nr. 9: (ISSN 1618-6168)

The Cry of Nature. Art and the Making of Animal Rights by Stephen F. Eisenman in Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 14 (July 2014), Nr. 7/8: (ISSN 1618-6168)

Ideological Objects: Zum Vortrag von Isabelle Graw Der Wert des Lebendigen – Malerei als indexikalisches Medium in der neuen Ökonomie, (ed.) Althaus, K., The Lenbachhaus, Munich, June 2013.

Publikationsliste (Url)

Forschungsinteressen und Arbeitsgebiete

20th Century Art History, Germanistik, Animal Studies, De Blaue Reiter, Franz Marc, Provenance Research, Einfühlung