Monographs (and dissertation)
How Franz Marc Returns (2018)
https://ourarchive.otago.ac.nz/handle/10523/7587
Articles
Journal Articles and Book Chapters
Raubkunst at the Ringling. A. Webber (ed.): The Commission for Looted Art in Europe. (London: The Central Registry of Information on Looted Cultural Property 1933-1945, February 2019).
Raubkunst at the Ringling: Franz Marc’s Schöpfungsgeschichte. M. Belevan (ed.): Lapsus Lima. (Lima: Diacritica, January 2019).
Trigger for a Train of Thought: Der Blaue Reiter Almanach. M. Gherghescu (ed.) Journal de l’Université d’été de la Bibliothèque Kandinsky, Vol. 5. (Paris: Musée National d’Art Moderne, January 2019)
Something in the Way – Season of Love (Patricia Cronin, Yayoi Kusama, and Robert Indiana) at Tampa Museum of Art. J. Martinez (ed.) ArteFuse, (New York City: ArteFuse Contemporary Art, 2018)
The Tempest and the Savages: Franz Marc, Hugo Ball, and a Decisive Moment in Expressionist-Dada Theater with a Special Appearance by August Macke – D. Enck (ed.): The Empty Mirror Special Arts Issue. (Seattle: Empty Mirror Books, February 2018).
Affen in Eden – C. Virchow and M. Kaiser (eds.): Avenue – Das Magazin für Wissenskultur, Volume 4. Basel: Verein Freunde der Avenue. September 2017. (ISSN: 2297-9689)
To Never Know You: Archival Photographs of Franz Marc and Russi Marc – G. Aloi (ed.): Antennae: The Journal of Nature in Visual Culture, Volume 41. London: Antennae Project. September 2017. (ISSN: 1756-9575)
Between Something and Nothing: Franz Marc’s Authorial Ether – D. Enck (ed.): The Empty Mirror. (Seattle: Empty Mirror Books, 2017).
Alfred Flechtheim: Kunsthandler der Moderne – I. Racz (ed.): Journal of Visual Art Practice, Volume 17, Issue 3. London: Taylor & Francis. August 2017. (ISSN: 1758-9185 | DOI: 10.1080/14702029.2017.1366691)
The Wreck of Hope: Visual Activism in the Time of Mass Extinction – L. LeBlanc and Pearl, Z. (eds): KAPSULA. Toronto: Kapsula Press, 39-46. September 2016.
Eyes Be Closed: Franz Marc’s “Liegender Hund im Schnee” – A. Ilic (ed.): TextPraxis: Digitales Journal für Philologie, Band 12. Universität Münster Verlag, Münster, May 2016.
„Der Sturm“ und die Wilden: Franz Marcs Entscheidungskampf mit der Theatralität – K. Eichhorn (ed.): Expressionismus, Band 2. Neofelis Verlag, Kiel, November 2015. (ISBN: 978-3-95808-005-8)
Ein Manifest der Freundschaft – Trang Vu Thuy (ed.), “Blog des Lenbachhauses,” Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany, February 2015.
Channeling Franz Marc in the Prelapsarian Longing of Joan Jonas and Lee Lennox – L. LeBlanc and Pearl, Z. (eds): KAPSULA, Kapsula Press, Toronto, February 2015, 17-26.
Manuscripts in Submission and Preparation
Lost, or a Lost Cause? A Case Study of Franz Marc’s Schöpfungsgeschichte II and Geburt der Pferde at the Ringling Museum and Parallel Commentary on Turm der blauen Pferde – M. Quinkenstein (ed.): Looted Art as a Realm of Memory. (Frankfurt: Peter Lang, 2019).
Machine Dreams: Art History’s Digital History Through Web 3.0 With a Case Study of Franz Marc’s Animals. S. Ulrich (ed.): The Culture of Digital Humanities. (Berlin: De Gruyter, 2019).
Franz Marc’s Recueillement as Resistance and Recovery – R.A. McDonald (ed.): Re/Visioning Depression: Creative Approaches to “Feeling Bad”. (Toronto: York University Press, 2019).
Einfühlung and the New Natural of August Endell, Wilhelm Bölsche and Franz Marc. M. Coughlin and E. Gephart (eds.): Ecocritical Approaches to 19th Century Visual Culture. (Lebanon, N.H.: University Press of New England, 2019).
Frida Hansen’s Metamorphoses in Jugendstil. K. Reaves (ed.) She is no gentle lamb in the cave of the werewolf: Women artists in Scandinavia, 1900-1960. (London: Routledge, 2020)
Book and Exhibition Reviews
Hello World: Revising a Collection at the Hamburger Bahnhof Museum für Gegenwart – C. Keppel-Palmer (ed.): Museum Books (London: Tate Publishing, March 2019). (DOI: http://dx.doi.org/10.17613/dz4r-hn71)
Life After Death at the Stavanger Kunstmuseum – J. Martinez (ed.): ArteFuse (New York City: ArteFuse Contemporary Art, December 2018).
Franz Marc and August Macke: 1910-1914 in Museum Books (London: Tate Publishing, 30 December 2018. (DOI: 10.17613/e3qd-t551)
Luxury and Modernism: Architecture and the Object in Germany 1900-1933 in The Empty Mirror, 4 October 2018. (DOI: 10.17613/M8M1B403)
Stereo Lab: An Experimental Pairing of Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art in Arte Fuse 25 June 2018. (DOI: 10.17613/M6M61BP46)
Birds: The Art of Ornithology in Museum Books 8 July 2018. (DOI: 10.17613/M6901ZF6M)
Stereo Lab: An Experimental Pairing of Larry Bell and Jesús Rafael Soto at the Tampa Museum of Art in Arte Fuse 25 June 2018. (DOI: 10.17613/M6M61BP46)
Modern Masters “Degenerate” Art at the Kunstmuseum Basel and Gurlitt Status Report: – Confiscated and Sold, Kunstmuseum Bern - Nazi Art Theft and Its Consequences, Art and Exhibition Hall of the Federal Republic of Germany in Museum Books 23 April 2018. (DOI:10.17613/M60004)
Robert Lowell, Setting the River on Fire: A Study of Genius, Mania, and Character in The Empty Mirror 13 April 2018. (DOI: 10.17613/M64K4R)
Mernet Larsen: Getting Measured, 1957-2017 in The Empty Mirror 9 February 2018. (DOI: 10.17613/M65C3M)
Modigliani in Museum Books in Museum Books 7 January 2018. (DOI: 10.17613/M6W55T)
Star Wars and the Power of Costume in Museum Books 21 December 2017. (DOI: 10.17613/M6S54H)
Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask in Museum Books 12 October 2017. (DOI: 10.17613/M61J67)
Visionaries: Creating a Modern Guggenheim in Museum Books 16 May 2017: (DOI: 10.17613/M6P39S)
Max Beckmann in New York in Museum Books 12 March 2017: (DOI: 10.17613/M6N637)
Neuerscheinungen zu Franz Marc in Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 19 (November 2016) Nr. 6: (ISSN 1616-6168)
Bad New Days: Art, Criticism, Emergency by Hal Foster in Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 16 (June 2016) Nr. 6: (ISSN 1616-6168)
The Expressionist Turn in Art History: A Critical Anthology by Kimberly A. Smith Aldershot: Ashgate 2014 in KUNSTFORM 16 (2015), Nr. 9: (ISSN 1618-6168)
The Cry of Nature. Art and the Making of Animal Rights by Stephen F. Eisenman in Sehepunkte Rezensionsjournal für die Geschichtswissenschaften 14 (July 2014), Nr. 7/8: (ISSN 1618-6168)
Ideological Objects: Zum Vortrag von Isabelle Graw Der Wert des Lebendigen – Malerei als indexikalisches Medium in der neuen Ökonomie, (ed.) Althaus, K., The Lenbachhaus, Munich, June 2013.
List of publications (Url)
https://www.germanmodernism.org/writing/